banjo headstock identification

Steel Guitar. Thanks for the history, I always love the story. See the notes below. Kluson tuners no longer had circle stamp (exposed gears riveted instead of screwed in place) and shaft size of 7/32 to save wartime metal. The birch sides and back were stained red. These had black plastic laminate headstock overlays with Bacon engraved in blockletters and a small, metal plate engraved Bacon Folk Model. Other similar details include: single-cutaway body, ebony fingerboard with block inlays, flowerpot headstock inlay, L-5 tailpiece with contrasting silver on gold with L-5 engraving (changed to TP-6 in 1978) and multilayer body binding throughout. Between 1975 and 1979, Gibson worked with Dr. Michael Kashas acoustic theories for guitar and Luthier Richard Schneiders design applications to create a unique instrument for the Gibson acoustic lineup. B. Schall (1878-1907) manufactured many unmarked banjos for The following site helps identify the labels with the date and location of production: All Gurian Guitars have serial numbers stamped on the neck block in characters visible through the soundhole. 519,409 In 1894, he patented this wild banjo with a neck that folds in on itself at the 10th fret in order to facilitate transportation. During the period of 1909 through 1920 Gibson produced large numbers of mandolins. The back and sides were still mahogany but the Southerner Jumbo had a dark wooden stripe separating the 2 back pieces. It was intended to be more affordable and more readily available than its main competition: the Martin D-18. 1974 $895 This was the best sales year for the L-5S shipping 555 instruments. There can easily be more numbers within each year listed. It took Gibson 2 years to develop their response: The Jumbo of 1934. For a period of time, this was the top of the line. The numbers are preceded by letters: A, B, C, or D which indicate the series. Buy Prewar Gibson Banjo Online - Banjos for Sale 1968: Changed to a bottom belly bridge and 1960 style pickguard, 1969: Changed to a square shoulder dreadnaught, Original version: solid mahogany back but laminated mahogany sides, 1 piece mahogany neck & 17 degree headstock angle, Bound Brazilian fretboard with trapezoid inlayed markers, Individual Kluson tuners with white buttons later: keystone Pearloid buttons, P-90 single coil pickup with adjustable pole pieces. In 1923 it appears that Gibson began to assemble A-2s with left-over blonde tops from A-3s. The 1975 price was $439. They are very pricy at over $20.00 each, but worth it if you want . Late 1960's Gibson Logo around 1969 with no dot over the "i". Gibson. purchase these instruments and put their own names on them, but in many other Asian Banjos - L-Z - Fastie No binding, no inlay and no decoration. J-L. M. N-P. Q-Sch. Laminated maple back and sides is discontinued (FON batch 2828 used maple back and sides). banjo headstock identification target no need to return item. Over time the J-35 braces began to appear scalloped. Carl and August Larson built instruments between 1900 and 1944. There are no manufacture's labels or stamps on it. Towards the end, the line actually continued to increase in sales. Gold script Gibson logo, Pickguard: Tiger-striped & teardrop shape, Finish: brown sunburst top finish, dark brown mahogany back and sides and neck, Body Binding: 7-ply top binding and single ply back binding, Tuners: Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic button usually white but sometimes black), Tortoise-shell teardrop pickguard replaced the tiger stripe material, Single bound top and back, multi-bound rosette, Mahogany neck but a few Maple necks with a single walnut stripe down the center (3 piece neck), Three layer w/b/w tops and single layer back binding, Mahogany neck block with beveled sides, changed to a mahogany neck block with square sides, Tuners were 3-on-a-plate Klusons with exposed gears and Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic buttons (usually white but sometimes black) and 1/4 diameter posts. During 1880-1890 Fairbanks joined with William A. Cole, a successful performer and teacher, and produced approximately 9000 banjos as Fairbanks & Cole. In mid 1944 bookmatched two piece Sispruce tops reappear. What's the history on the this jo, are you the original owner? 2 foot pressed arm rest and flat head tone ring. These appear to be the easiest to find and quite reasonable to buy. Identifying and Dating Kay Guitars - S. Nathaniel Adams Gold War era logo - This type is called "Banner logo". banjo headstock identification They generally had birch or walnut back and sides sometimes flat and later (1904+/-) carved. Gibson Banjo Serial Number Factory Order Number Information - Banjo Philes string peg perch is typically carved out from the side of the neck as shown Pearl dots on fretboard. My understanding is that only 12 of these particular banjos were ever manufactured by Kay. Augustino & Thomas LoPrinzi Guitars usually have the date of manufacture on the label. S2R3H, identical to S2R, but with 3-piece back, full herringbone purflings, gold tuners. Grupo Musical. First factory order number (FON) on neck block of J45s in 1942 was 907 and 923. The current bridge height and neck angle was reached around 1910. middle-sized, chrome tuners. Michael Wright has compiled one of the largest picture galleries of headstock photos in his book "Guitar Stories Vol. It is important to note that there are exceptions to every rule and the following is only a general guide for identifying Gibson A Style mandolins. serial number 8382, New York, circa 1920s, intricate abalone shell inlay to fingerboard and headstock which also bears the Company logo. B&D models stopped around 1968 following Baldwins (Gretschs parent company) 1967 purchase of the ODE company. Bound rosewood fingerboard with small fret wire, clamshell tail piece with Morris inscribed. This is a headstock that tapers from narrow at the top to slightly wider at the base (the reverse of the traditional Gibson headstock shape). Electric guitars having the serial number on the back of the headstock. Tstyle of tuner lasts into early 1943 (FON 2221 last documented series with this tuner style), Late 1942 poplar neck blocks (Late 1942 FON 2119 with FON 2143 being the last documented series with mahogany neck block.). The Aria 921C was a good quality 5-string banjo made in the early 1970s. They are available for binding that is .060 and .090 binding. CLR, Classic guitar with Indian rosewood back and sides, decorated binding, gold tuners. www.stonebanjo.com - Peghead Shapes It is not clear how many were made, but it is likely that there are less than 12. After October 1930 the body and style designations and the serial number appears stamped on the neck blocks: Since the Larson brothers built guitars for many brand names, identification can be difficult, but there are a number of stylistic and structural building techniques that help narrow the exercise. The standard early Gibson A models had a soft V shaped neck. If you want to use any of this information: 1890s into 1907: Inlaid into the top of the instrument. Approximate Chronology (there are always exceptions): There were a few natural finished J-45N models made during 1942. Identifying Vintage Guitars, Banjos & Mandolins - Acoustic Music Banjo not included or available. Factory Order Numbers (FON) in the 2600s to 2700s. Post-war Gibson Banjo Serial Number Listing for "Bowtie Era Banjos" The back and sides were Brazilian rosewood and the tops Adirondack red spruce. Buy in monthly payments with Affirm on orders over $50. It is not clear how Gibson decided to set their nut widths and neck thicknesses. The space between the headstock center and the top of the lathe bed is the radius of the lathe swing. In general, higher model numbers meant more binding and ornament. Its difficult to positively The neck was a broad round profile single piece mahogany with a bound coffewood fretboard and dot markers. CLM, Classical guitar with mahogany back and sides. Materials and methods of production were reviewed and revised. The first versions of the Super Jumbo guitar had a neck joint with 12 frets clear of the body placing the moustache bridge geometrically in the center of the distinctly round 16 7/8 lower bout. Q: What is the first step in determining the age of my banjo? The neck was basically the neck stocks from the L-5 archtop: 3 ply maple with single wide bound scalloped fretboard ends and headstocks and the early models had the L-5 flowerpot inlay on the headstock. George Gruhns Guide to Vintage Guitars by George Gruhn and Walter Carter. Acoustic guitars are punched inside the soundhole on a sticker behind the strings. Cherry Sunburst is still available. The individual artist's touch on the . peghead shape. Weekly newsletter includes free lessons, favorite member content, banjo news and more. GB -- guitar banjo. Late 1940's "i" touches the "G" on "Modern" non cursive/script Gibson Logo. Gibson developed the truss rod in 1921. Late 1930s through 1942: ? adjustment wheels 2 feet and extensions on top of the base for the wheels. Start your day off right, with a Dayspring Coffee PDF Gibson Banjo Construction Evolution Build Your Own Huber Banjo | HuberBanjos.com It was the heart of the depression and the instruments cost $60 without a case. Nice playability, great tone, strong low end and good sustain all the way up the neck. Vintage mandolin, guitar-mandolin or banjo-mandolin By 1941, either natural or sunburst were available. Dimensions: 16 wide, 10 1/4 long and 4 1/2 deep. It is the only typical American (USA) instrument, starting off as an instrument of the African slaves, then via the Minstrel Shows becoming part of typical American music styles like Jazz, Dixieland, Bluegrass, etc. Instruction * ConcertsJams * More When it came out in 1942 it was the most expensive Gibson flat-top in the line. Due to the plain marks on the bracing, it is believed that every top was tuned by the same Gibson employee. I'm thinking it was made by the Iida folks for a NAMM show or something. Introduced is the year of introduction. The headstock carried an inlayed script Gibson. It was basically a slope shoulder dreadnaught like a J-45 or Southerner Jumbo and designed for the country and western market. gibson one-of-a-kind Christmas banjos! The centerline of the neck had the black inlay. Depending on the selected source, there is disagreement about these numbers. I'm kind of with Bob on the Korea origin - almost screams Sam Ickfrom the 1980s to me - except that it's a little understated and the finish isn't as thick as you normally see on a Samickpresentation banjo. White from 1928 to 1943/44. A maple, prewar style bluegrass banjo made like the classic banjos of the 1930's with the same materials and the same weight, design and features, the Golden Era is one of our most popular banjos for traditional bluegrass bands. Headstocks say LoPrinzi. FLC, Flamenco guitar with Canadian cypress back and sides, friction pegs (machine heads on some examples). Gibson The concept behind the J-45 was a high quality, affordable, big-sounding acoustic flat-top guitar. Though it was discontinued in 1942, the last Advanced Jumbo left the Kalamazoo plant in 1940. An entire bin was a "lot" and would contain 1955: Gibson stopped scalloping the bracing it was faster to produce but not as strong. GIBSON GARAGE FIND A DEALER GIBSON APP. Factory numbers (when the exist) appear in pencil inside on the block where the neck meets the body. S2R, size 2 guitar with East Indian rosewood back & sides, chrome tuners. A flourish inlay under The Gibson in the headstock. Higher grade models (such as the Super 400, L-5, J-200, etc.) I visited his place once when I was kid (probably mid - late 1970's) and his finished basement was filled with guitars, banjos, lots of different instruments. $80 in depression era dollars was beyond the means of most people of the time but 300+/- were built during its 3 year production run. For example: The custom series of Epiphone Texans built with cooperation from Paul McCartney: some were built in Bozeman Montana and some in Japan. banjo headstock identification ATLAS of Plucked Instruments - banjos Numerous articles in Vintage Guitar Magazine over the years. They didnt sell well but did live up to their design intent of a heavier, booming tone with good overall balance. Neck: mahogany single piece. Our 19th Year * Sign Up Now By the records, between 200 and 300 were built. If the serial number is legible the instrument can be relatively easy to date. Each model of the Mark Series was available in natural or sunburst finish. The somewhat radical headstock shape was discontinued at Gibson with the Mark Series but appears to have been an influence on the young Paul Reed Smith who later used a similar shape for his electric instruments. The FON is the only identification number on Gibson's lower grade models (like the ES-125, ES-140, J-160E, etc.) Epiphone Serial Number Lookup - Authority Guitar In general, the Larsons used fancier hardware on the more expensive instruments so the date of the hardware should coincide with similar instruments of the period. . Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. At least one model, the Epiphone Spirit, was manufactured in the USA during the early 1980s in the Gibson factory in Kalamazoo, MI. Alternates can range from standard designs out there in the banjo world, old or new, or a custom. The further down the headstock the peg is, the shorter it will be. One of the advantages of choosing a banjo made in a small shop environment is the easy availability of customization. The last 4 digits are a neck number. 587 Similar to 585 but with pearl (vs ivoroid) tuner buttons. Information gathered from many sources but there are a few that need to be acknowledged: Dan Beimborns original Mandolin Pages web site and later contributions to the Mandolin Archive. The 5th string is not only shorter than the other four banjo strings, but this string is also the highest in sound (or pitch ). New Location: 428 Geared pegs, reinforced neck & high nut, MYNNN or MYNNNN Month = 1-9 with 3 or 4-digit production number, MMYNNN or MMYNNNN Month =10,11,12 with 3 or 4-digit production number, # 41122 would have been made April 1971, #122, #121131 could be made in either December 1971, #131 or January 1972, #1131, #221 could have been made around 1907 or in the early 1940s, #2121 could have been made around 1913 or 1914, the late 1940s or February 1971, #21, #31121 could have been made in the early 1931 or 1932, 1960 or March 1971, #121. 340 Rosewood back & sides, MOP, colored wood appointments & a Tree-of-Life fretboard inlay. 118 Midtown Ct # M The tuners were individual. Neck s/n DA5063 with L&B headstock inlay: T. Biggs : 1932 : 66-1: PB-3 : Shipped August 7, 1935: Gibson Shipping Ledger : 1932 : 66-2: PB-3: Flathead: 1-piece: CMI acquired Gibson around May 1944. cases they carry no identifying name at all. Vintage Guitar - Parts and Identification - Hfner Go back. "F" Style mandolins have a carved nautilus shaped curl on the upper left-hand bout. He was also a guitar enthusiast with a passion for physical and psycho-acoustics. The last of the Mark Series was built in 1979. Saga. These were Gibsons first flat-top cutaways. You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/276603. Most old Hfners do not have serial numbers. The early instruments built in Nashville suffered from inexperienced workers and climate-control problems in the humid South. See LG-0 for materials and dimensions. It was bound on the top, back, sides and around the fretboard. Some J-45 models with non-bookmatched two piece Adirondack spruce tops and some examples with four piece tops. The headstock face was veneered in black. The following versions evolved quickly to 14 frets clear of the body. ARIA 921C. They are maintained by Donna LoPrinzi in Clearwater Florida. The neck is the long piece of wood that attaches to the banjo body that guides the strings along the instrument's fretting surface (called the fingerboard ). USA produced Epiphones of this era bear standard Gibson serialization and include the "Made in USA" stamp on the back of the headstock. The fretboard was bound but without extension and The Gibson was stamped into the tailpiece cover. At the time, the Nick Lucas model was the largest flat-top Gibson offered. Identify vintage banjo fleur de lis inlays on headstock & carved heel. The 1975 price was $1,999. This can often be found on the back of the peghead or on the inside rim of the banjo. Gibson hoped to score the same type of success that had occurred with Lloyd Loar in the 1920s: redefining the acoustic guitar for generations to come. Gibson discontinued the A-3 around 1922. teachers who sold them to students, some of which are tagged with the name of The 1934 was single bound, front and back with dot markers on the rosewood fretboard and a horizontal script logo inlay on the headstock.

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